Hello everyone, Steve in particular,
In May of last year Steve published an anthromorphic swordhilt on this forum, showing a very peculiar hairstyle in undeniable detail... it has fascinated me ever since, especially as I was then in the furor of collecting material for a book I plan to make: "Tribal Europe", a caleidoscope of prehistoric costume.
In fact, this forum is one of my richest sources, as I am often surprised by what members share with each other... hitherto I had not known there were birchbarkhats other than that from Hochdorf, or enjoyed seeing the Glauberg harness tested in reality.
Anyway, I have now a synopsis for the book, and outside interest to hawk it about. "Time, then", I thought, "to make a few of the illustrations!".
As a thank-you, a "Herzlichen Dank!"
, to the members of this forum, I will sneak preview you the first. And yes, it's that swordhilthaircut.... Steve has been so kind to create a link:
http://archaeoforum.freehost.ag/Userbil ... anding.jpg
I hope you all like it and are, as I am, surprised at the high level of stylization. I myself have, laughing, compared him to David Beckham in his long-hair days, I have quietly thought of Sumo wrestlers...
Meanwhile, there is still a 'problem' with the original object: no-one knows where it comes from, or what its exact date is.
My own research has shown it to resemble a sword from Mainz dated to the 1st century BC:
http://members.tripod.com/Preachan/icons/morphic.gif (the hilt on the right!)
Here is another example, also from the 1st century BC:
http://www.metmuseum.org/toah/ho/04/euw ... .94a-d.htm
For another 'Zopfen'-look, you should also look at
http://www.ukdfd.co.uk/ukdfddata/showre ... =18&page=1 ...the images can be enlarged. To me, though, the stylization on this one is not depicted as 'true-to-life' as on our example, and therefore may just be, well, play.
There. That's it.
I hope this spurs on a new discussion that helps identify the mystery-object. Meanwhile, look out for Steve's painfull reallife reconstruction!
Best wishes, and to you all: thank you,
Kelvin Wilson